#F6EBA1Lazy Daisy (#F6EBA1) is a near-white, soft yellow with an OKLCH hue of 101°, lightness 0.93 and chroma 0.094. It sits on the warm side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #F6EBA1 |
|---|---|
| RGB | rgb(246, 235, 161) |
| HSL | hsl(52, 83%, 80%) |
| HSV | hsv(52, 35%, 96%) |
| CMYK | cmyk(0%, 4%, 35%, 4%) |
| CIE Lab | lab(92.4 -6.9 37.3) |
| OKLCH | oklch(0.932 0.094 101) |
Under warm 2700K interior light Lazy Daisy shifts subtly: leans toward orange; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.8), so it is a lighting-stable choice.
#fee594 — ΔE 1.8, shifts subtly: leans toward orange#feec9d — ΔE 1.2, shifts subtly: leans toward orange#f6eba1 — ΔE 0.0, is virtually unchanged#f6eca4 — ΔE 0.4, is virtually unchangedTest Lazy Daisy in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.21:1 and against black 17.32:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#f6eba1 · #d6cb87 · #ada466 · #867e47 · #625a29 · #3f390b
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#f6eba1 · #f0d190 · #e6b885 · #d8a17e · #c78b7a · #b27877
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#f6eba1 · #93b19a · #948b50 · #3c7c52 · #5a511a · #1f3e29
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#f6eba1 · #c8c6b1 · #a9a47e · #878261 · #575a95 · #2a2714
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f6eba1 · #c9cad4 · #908f82 · #54555b · #252317 · #010103
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f0f1fc · #c6c8d5 · #999baa · #202133 · #030210 · #f6eba1
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#f6eba1 · #bad9bd · #4c93e0 · #58714d · #2b375f · #041114
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#f6eba1 · #c7cade · #6b92bb · #66457c · #002346 · #030007
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#f6eba1 · #b8d0d8 · #5699ae · #783f65 · #3b0f2e · #00050a
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#f6eba1 · #b7d1cf · #529d99 · #4d4e88 · #410d19 · #01000a
#F6EDAC · #F7EFB8 · #F7F1C3 · #F8F3CD · #F8F4D8
#C9BF7D · #9E955A · #756D39 · #4F4819 · #2B2500
#F3EBB2 · #F0EAC1 · #EDEAD0
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.