#E0BB95Lama (#E0BB95) is a light, muted orange with an OKLCH hue of 67°, lightness 0.82 and chroma 0.066. It sits on the warm side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #E0BB95 |
|---|---|
| RGB | rgb(224, 187, 149) |
| HSL | hsl(30, 55%, 73%) |
| HSV | hsv(30, 33%, 88%) |
| CMYK | cmyk(0%, 17%, 33%, 12%) |
| CIE Lab | lab(78.2 7.9 24.2) |
| OKLCH | oklch(0.815 0.066 67) |
Under warm 2700K interior light Lama shifts subtly: leans toward red; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.6), so it is a lighting-stable choice.
#e6b68a — ΔE 1.6, shifts subtly: leans toward red#e6bb91 — ΔE 1.0, shifts subtly: leans toward red#e0bb95 — ΔE 0.0, is virtually unchanged#e0bc97 — ΔE 0.3, is virtually unchangedTest Lama in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.79:1 and against black 11.71:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffefdf · #e0bb95 · #bd9b78 · #947657 · #6d5438 · #49331b
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#e8e1b4 · #e6ce9f · #e0bb95 · #d4a487 · #c18f82 · #ac7d7c
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#e0bb95 · #a0a78d · #9f7e5b · #626e3b · #624526 · #2f351c
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#f1e4d7 · #e0bb95 · #729cc4 · #6f5b46 · #4f3d2b · #2e2317
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#e0bb95 · #a1a7ad · #7a736b · #42464a · #221b13 · #010204
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#feefe1 · #e0bb95 · #604a33 · #442e15 · #1f0d00 · #f3a548
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#dbe3be · #e0bb95 · #ca9678 · #1e7292 · #2c3857 · #061414
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#e0bb95 · #9ba8b4 · #497d8b · #3c416d · #002129 · #010007
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#e0bb95 · #97aba8 · #48807a · #513a65 · #241233 · #000202
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#e0bb95 · #9baba1 · #567f66 · #20496c · #2e0e26 · #00040f
#E5C4A3 · #EACEB1 · #EFD7BE · #F4E0CC · #F9EADA
#B99876 · #937658 · #6F563C · #4D3821 · #2D1C08
#DABD9F · #D4BEA9 · #CDC0B3
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.