#ED4B00Kimchi (#ED4B00) is a mid-tone, vivid red with an OKLCH hue of 38°, lightness 0.64 and chroma 0.208. It sits on the warm side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #ED4B00 |
|---|---|
| RGB | rgb(237, 75, 0) |
| HSL | hsl(19, 100%, 46%) |
| HSV | hsv(19, 100%, 93%) |
| CMYK | cmyk(0%, 68%, 100%, 7%) |
| CIE Lab | lab(55.1 60 66) |
| OKLCH | oklch(0.636 0.208 38) |
Under warm 2700K interior light Kimchi is virtually unchanged; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 0.9), so it is a lighting-stable choice.
#ee4500 — ΔE 0.9, is virtually unchanged#f14a00 — ΔE 0.7, is virtually unchanged#ed4b00 — ΔE 0.0, is virtually unchanged#ee4c02 — ΔE 0.3, is virtually unchangedTest Kimchi in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 3.75:1 and against black 5.61:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffdace · #ff9e80 · #ed4b00 · #c13b00 · #882600 · #531300
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#f09a08 · #ed7900 · #ed4b00 · #d33642 · #b42858 · #932063
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#c3a758 · #ed4b00 · #bd3900 · #654e00 · #641900 · #281d00
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#00d7ff · #ed4b00 · #8a5e50 · #7e3016 · #571400 · #2e0400
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#ddf7ff · #bf9e94 · #ed4b00 · #627479 · #44251c · #000407
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e7f5f9 · #bdcdd2 · #90a2a8 · #132c33 · #000a0f · #ed4b00
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#ddf7ff · #00b9dc · #ed4b00 · #007e96 · #003541 · #230200
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#ddf7ff · #00bfb5 · #ed4b00 · #0074c1 · #003733 · #000514
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#d0ffe2 · #14c57d · #ed4b00 · #5b57e5 · #250884 · #000401
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#e6fbce · #88b935 · #ed4b00 · #007e96 · #440069 · #000407
#F76A3C · #FF8660 · #FFA488 · #FFBFAB · #FFD9CD
#C43C00 · #9D2E00 · #782000 · #541300 · #340700
#DB6038 · #C86F53 · #B37B6A
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.