#E1E1E2Jupiter (#E1E1E2) is a near-white neutral with an OKLCH hue of 286°, lightness 0.91 and chroma 0.001. In practice it behaves as a background color — quiet over large surfaces.
| HEX | #E1E1E2 |
|---|---|
| RGB | rgb(225, 225, 226) |
| HSL | hsl(240, 2%, 88%) |
| HSV | hsv(240, 0%, 89%) |
| CMYK | cmyk(0%, 0%, 0%, 11%) |
| CIE Lab | lab(89.6 0.2 -0.5) |
| OKLCH | oklch(0.910 0.001 286) |
Under warm 2700K interior light Jupiter shifts subtly: takes on a orange cast, gains intensity; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 2.2), so it is a lighting-stable choice.
#eadbd3 — ΔE 2.2, shifts subtly: takes on a orange cast, gains intensity#e9e2dd — ΔE 1.3, shifts only faintly, with no single dominant change#e1e1e2 — ΔE 0.0, is virtually unchanged#e1e2e5 — ΔE 0.4, is virtually unchangedTest Jupiter in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.31:1 and against black 16.07:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#e1e1e2 · #c9c9ca · #a2a2a3 · #7c7c7d · #59595a · #39393a
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#e1e1e2 · #d6c3f5 · #ceadd7 · #c299b9 · #b3869a · #a2757d
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#e1e1e2 · #d2b8c9 · #9e9cc8 · #a17293 · #636187 · #5a4252
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#e1e1e2 · #c3c189 · #9a9aa9 · #787792 · #59586f · #3c3b4b
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#e1e1e2 · #c5c5bd · #888892 · #53534e · #21202a · #010100
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e1e1e2 · #a1a1a2 · #4b4b4c · #2f2f30 · #0f0f10 · #d0ca4e
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#e1e1e2 · #c6c5b5 · #8d8c61 · #58551e · #252300 · #010007
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#e1e1e2 · #c6c5b5 · #9e8560 · #3f5c31 · #301d00 · #000200
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#e1e1e2 · #d1c0b8 · #a87e6a · #206049 · #00291c · #0f0200
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#e1e1e2 · #d2bfbf · #ab7b7c · #58551e · #002829 · #020100
#e6e6e7 · #ebebec · #f0f0f1 · #f5f5f5 · #fafafa
#bcbcbc · #969697 · #717171 · #4b4b4b · #262626
Its high lightness and low chroma make it a natural background or large-surface color.