#416858June Ivy (#416858) is a dark, muted blue-green with an OKLCH hue of 166°, lightness 0.48 and chroma 0.052. It sits on the cool side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #416858 |
|---|---|
| RGB | rgb(65, 104, 88) |
| HSL | hsl(155, 23%, 33%) |
| HSV | hsv(155, 38%, 41%) |
| CMYK | cmyk(38%, 0%, 15%, 59%) |
| CIE Lab | lab(40.8 -17.8 4.7) |
| OKLCH | oklch(0.483 0.052 166) |
Under warm 2700K interior light June Ivy shifts subtly: drifts toward green; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.2), so it is a lighting-stable choice.
#486552 — ΔE 1.2, shifts subtly: drifts toward green#466856 — ΔE 0.6, shifts subtly: drifts toward green#416858 — ΔE 0.0, is virtually unchanged#416959 — ΔE 0.3, is virtually unchangedTest June Ivy in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 6.28:1 and against black 3.35:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#9cbaad · #729586 · #416858 · #2a4e3f · #0b2d21 · #000e07
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#558c8e · #3e7c73 · #416858 · #2f593a · #2f4521 · #2c320c
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#9cbfca · #60a5b8 · #62818a · #416858 · #1a4e3c · #003323
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#accabd · #b6819d · #416858 · #35453e · #0d2b20 · #020f09
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f7eff3 · #abb6b1 · #7c7679 · #416858 · #3d4944 · #020101
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e6f6ef · #bccec6 · #416858 · #0d2a20 · #000703 · #e456ac
The same quiet ground carrying one bright gold voice — the high-energy pairing a cool or muted anchor cannot reach through its own temperature.
#e6f6ef · #bccec6 · #416858 · #0d2a20 · #000703 · #f1ba4d
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d4dab5 · #90c992 · #b869d3 · #416858 · #393a64 · #0c0930
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#feecf5 · #c3a8cd · #a06669 · #416858 · #533b5d · #090001
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#f0f0ff · #b0aed8 · #9d6a52 · #416858 · #623a27 · #010007
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#eaf3ff · #9bb5da · #996681 · #416858 · #59411a · #040002
#5C7F70 · #789688 · #94AEA2 · #B1C6BC · #CEDFD7
#335748 · #264639 · #1A362B · #0E271D · #041810
#486659 · #4F645B · #55625C
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.