#041108Jedi Night (#041108) is a near-black neutral with an OKLCH hue of 154°, lightness 0.16 and chroma 0.028. In practice it behaves as a grounding tone — suited to text, outlines, and shadowed surfaces.
| HEX | #041108 |
|---|---|
| RGB | rgb(4, 17, 8) |
| HSL | hsl(138, 62%, 4%) |
| HSV | hsv(138, 76%, 7%) |
| CMYK | cmyk(76%, 0%, 53%, 93%) |
| CIE Lab | lab(4 -5.2 2.6) |
| OKLCH | oklch(0.161 0.028 154) |
Under warm 2700K interior light Jedi Night is virtually unchanged; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 0.5), so it is a lighting-stable choice.
#061007 — ΔE 0.5, is virtually unchanged#051108 — ΔE 0.2, is virtually unchanged#041108 — ΔE 0.0, is virtually unchanged#041108 — ΔE 0.0, is virtually unchangedTest Jedi Night in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 19.29:1 and against black 1.09:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid black text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#939d96 · #6d7870 · #49554c · #28352c · #041108 · #000200
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#355e74 · #17505e · #004145 · #00312d · #002118 · #041108
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#759a9f · #597f65 · #0e646d · #1f472e · #09292d · #041108
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#b8cabd · #b789ad · #506757 · #314939 · #1e2a22 · #041108
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f6eff5 · #b1bbb4 · #858084 · #48524b · #262024 · #041108
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#edf4ef · #c3ccc6 · #96a099 · #39453c · #041108 · #da69c7
The same quiet ground carrying one bright gold voice — the high-energy pairing a cool or muted anchor cannot reach through its own temperature.
#edf4ef · #c3ccc6 · #96a099 · #39453c · #041108 · #f3b94d
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#fcecf8 · #d1aac8 · #9e7194 · #65425e · #12271a · #041108
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#fcecf8 · #c1afd8 · #a86f7c · #57466c · #311a20 · #041108
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#eef1ff · #acb6df · #aa7164 · #6e4238 · #1c2034 · #041108
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#e7f4ff · #98bddd · #9e7194 · #684828 · #2d1b29 · #041108
#233127 · #47544B · #6E7971 · #98A19A · #C4CBC6
#041007 · #040E07 · #040D06 · #040C06 · #040A06
As a deep tone it works for grounding elements — text, outlines, and shadowed surfaces — rather than open fields. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.