#FFF4BBJasmine (#FFF4BB) is a near-white, soft yellow with an OKLCH hue of 98°, lightness 0.96 and chroma 0.074. It sits on the warm side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #FFF4BB |
|---|---|
| RGB | rgb(255, 244, 187) |
| HSL | hsl(50, 100%, 87%) |
| HSV | hsv(50, 27%, 100%) |
| CMYK | cmyk(0%, 4%, 27%, 0%) |
| CIE Lab | lab(95.8 -4.9 28.9) |
| OKLCH | oklch(0.962 0.074 98) |
Under warm 2700K interior light Jasmine shifts subtly: leans toward orange; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.9), so it is a lighting-stable choice.
#ffeead — ΔE 1.9, shifts subtly: leans toward orange#fff5b6 — ΔE 0.7, shifts subtly: leans toward green#fff4bb — ΔE 0.0, is virtually unchanged#fff5be — ΔE 0.4, is virtually unchangedTest Jasmine in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.11:1 and against black 18.91:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#fff4bb · #d4ca97 · #aca375 · #857d55 · #615a36 · #3e381a
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#fff4bb · #f6dba9 · #eac39c · #dbad93 · #c9988c · #b48585
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#fff4bb · #a1b9a6 · #9d9466 · #54825e · #615930 · #2e4432
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#fff4bb · #d2cfbf · #b2ac8f · #8f8a71 · #555b89 · #322f1f
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#fff4bb · #d3d4dc · #97958b · #58595e · #27251b · #010102
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f0f1fa · #c7c8d3 · #999ba7 · #202230 · #03030d · #fff4bb
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#fff4bb · #d1d4e4 · #8c92ba · #505583 · #1e2043 · #040200
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#fff4bb · #d1d4e4 · #7899b9 · #664e7a · #052642 · #020005
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#fff4bb · #c5d9df · #6a9eae · #754968 · #38172f · #000408
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#fff4bb · #c5dad8 · #69a19c · #505583 · #3e151e · #010007
#FEF4C2 · #FDF5CA · #FCF5D1 · #FBF5D8 · #F9F5DF
#D0C693 · #A39B6E · #79714A · #514A28 · #2C2608
#FCF4C7 · #FAF4D3 · #F7F3DF
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.