#29292FJaguar (#29292F) is a near-black neutral with an OKLCH hue of 286°, lightness 0.28 and chroma 0.011. In practice it behaves as a grounding tone — suited to text, outlines, and shadowed surfaces.
| HEX | #29292F |
|---|---|
| RGB | rgb(41, 41, 47) |
| HSL | hsl(240, 7%, 17%) |
| HSV | hsv(240, 13%, 18%) |
| CMYK | cmyk(13%, 13%, 0%, 82%) |
| CIE Lab | lab(16.8 1.5 -3.9) |
| OKLCH | oklch(0.283 0.011 286) |
Under warm 2700K interior light Jaguar is virtually unchanged; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 0.7), so it is a lighting-stable choice.
#2b282b — ΔE 0.7, is virtually unchanged#2b292e — ΔE 0.4, is virtually unchanged#29292f — ΔE 0.0, is virtually unchanged#292930 — ΔE 0.2, is virtually unchangedTest Jaguar in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 14.46:1 and against black 1.45:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid black text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#99999e · #747479 · #515157 · #29292f · #131318 · #010102
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#324a68 · #2b365b · #29292f · #231338 · #1c0523 · #12000f
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#cbafc2 · #9594bd · #996a8b · #5b5981 · #513c4a · #29292f
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#cac88f · #626179 · #444452 · #29292f · #0f0d21 · #010004
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f2f2ea · #b1b1bc · #777772 · #3f3f4a · #29292f · #15150f
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f1f1f4 · #c9c9cd · #9d9da1 · #29292f · #050509 · #d1c94e
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#f3f3e2 · #b7b589 · #7d7a44 · #454216 · #29292f · #131225
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#f3f3e2 · #c9ae88 · #638154 · #543b15 · #29292f · #0d1807
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#ffeee6 · #d4a793 · #48856d · #184b39 · #29292f · #220f06
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#ffeded · #d6a4a6 · #7d7a44 · #004b4b · #29292f · #171502
#46464C · #66666B · #87888C · #ABABAF · #CFCFD2
#232328 · #1D1D22 · #17171B · #111115 · #0C0C0F
As a deep tone it works for grounding elements — text, outlines, and shadowed surfaces — rather than open fields. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.