#2E2364Indie Go (#2E2364) is a very dark, soft purple with an OKLCH hue of 286°, lightness 0.31 and chroma 0.11. It sits on the cool side of the color wheel. In practice it behaves as a grounding tone — suited to text, outlines, and shadowed surfaces.
| HEX | #2E2364 |
|---|---|
| RGB | rgb(46, 35, 100) |
| HSL | hsl(250, 48%, 26%) |
| HSV | hsv(250, 65%, 39%) |
| CMYK | cmyk(54%, 65%, 0%, 61%) |
| CIE Lab | lab(18.8 24.3 -36.8) |
| OKLCH | oklch(0.310 0.110 286) |
Under warm 2700K interior light Indie Go shifts subtly: leans toward magenta; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.2), so it is a lighting-stable choice.
#31235e — ΔE 1.2, shifts subtly: leans toward magenta#302462 — ΔE 0.6, shifts subtly: leans toward magenta#2e2364 — ΔE 0.0, is virtually unchanged#2e2365 — ΔE 0.2, is virtually unchangedTest Indie Go in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 13.63:1 and against black 1.54:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid black text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#9b9acb · #7673aa · #534e8a · #2e2364 · #180744 · #030015
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#2c517e · #2c3b73 · #2e2364 · #2c0f49 · #24002e · #160012
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#bb94af · #7e7bb6 · #8d4b7c · #5e3f55 · #2e2364 · #170b40
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#cdc972 · #69688b · #4b4b5f · #2e2364 · #151030 · #02010d
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f3f3e7 · #b4b4c3 · #7d7d75 · #464656 · #2e2364 · #1c1b12
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f3f3e7 · #cbcbbd · #a0a090 · #2a2916 · #090800 · #2e2364
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#e1d7b2 · #5bbd56 · #8b63ac · #36473a · #2e2364 · #030f22
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#f4f4db · #d6ae75 · #5e8b46 · #624000 · #2e2364 · #0e2004
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#ffeee6 · #e5a486 · #26916d · #00563d · #2e2364 · #2f1103
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#ffeded · #e89fa2 · #858025 · #005354 · #2e2364 · #1e1c00
#49447F · #68649A · #8886B5 · #AAA9D1 · #CECDED
#271D57 · #20164B · #19103F · #130A34 · #0D0528
#2E2859 · #2E2B4F · #2E2D44
As a deep tone it works for grounding elements — text, outlines, and shadowed surfaces — rather than open fields. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.