#F6F677Hyper Beam (#F6F677) is a near-white, saturated yellow with an OKLCH hue of 109°, lightness 0.95 and chroma 0.149. It sits on the warm side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #F6F677 |
|---|---|
| RGB | rgb(246, 246, 119) |
| HSL | hsl(60, 88%, 72%) |
| HSV | hsv(60, 52%, 96%) |
| CMYK | cmyk(0%, 0%, 52%, 4%) |
| CIE Lab | lab(94.7 -16.4 60.2) |
| OKLCH | oklch(0.948 0.149 109) |
Under warm 2700K interior light Hyper Beam shifts subtly: leans toward orange; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.9), so it is a lighting-stable choice.
#ffef6b — ΔE 1.9, shifts subtly: leans toward orange#fef772 — ΔE 1.2, shifts subtly: leans toward orange#f6f677 — ΔE 0.0, is virtually unchanged#f6f779 — ΔE 0.3, is virtually unchangedTest Hyper Beam in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.14:1 and against black 18.37:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#f6f677 · #d1d05b · #a9a83c · #83821a · #5e5d00 · #3b3b00
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#f6f677 · #fbd860 · #f8ba56 · #ef9f57 · #e0875e · #cc7165
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#f6f677 · #83bd9e · #959426 · #008659 · #5a5800 · #00462c
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#f6f677 · #cccdac · #abac6e · #6754b6 · #4b4a13 · #2d2d0a
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f6f677 · #cfcfde · #93947f · #575661 · #252510 · #010004
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f1f0fc · #c8c7d5 · #9b9aa9 · #222032 · #03020e · #f6f677
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#f6f677 · #cfcced · #9085d6 · #5843a4 · #260d5b · #040300
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#f6f677 · #b2e2e0 · #b38fd7 · #4d6681 · #353958 · #041305
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#f6f677 · #b3d7e8 · #279fcc · #902a65 · #46002c · #00050c
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#f6f677 · #afdadb · #00a6ac · #5843a4 · #4b000e · #030013
#F6F78A · #F6F79C · #F6F7AC · #F6F8BB · #F7F8CA
#C9C854 · #9E9D31 · #747304 · #4D4C00 · #282700
#F4F596 · #F2F3B0 · #F0F2C8
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.