#D7BB80Honeymoon (#D7BB80) is a light, soft yellow with an OKLCH hue of 85°, lightness 0.8 and chroma 0.083. It sits on the warm side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #D7BB80 |
|---|---|
| RGB | rgb(215, 187, 128) |
| HSL | hsl(41, 52%, 67%) |
| HSV | hsv(41, 40%, 84%) |
| CMYK | cmyk(0%, 13%, 40%, 16%) |
| CIE Lab | lab(77 1.9 33.6) |
| OKLCH | oklch(0.803 0.083 85) |
Under warm 2700K interior light Honeymoon shifts subtly: drifts toward orange; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.5), so it is a lighting-stable choice.
#ddb676 — ΔE 1.5, shifts subtly: drifts toward orange#ddbb7c — ΔE 1.0, shifts subtly: leans toward orange#d7bb80 — ΔE 0.0, is virtually unchanged#d7bc82 — ΔE 0.3, is virtually unchangedTest Honeymoon in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.86:1 and against black 11.31:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#fff0d2 · #d7bb80 · #b99f68 · #907a48 · #6a562a · #46350b
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#dbe5b5 · #d9d199 · #d7bb80 · #cca376 · #bc8d70 · #aa7a6b
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#d7bb80 · #93a68c · #947e4f · #4d6f3f · #594519 · #23341d
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#eae1d0 · #d7bb80 · #a99b7c · #867a5f · #405585 · #292112
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#d7bb80 · #9fa2aa · #767167 · #424449 · #201b11 · #010103
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#edf2fb · #c4c9d4 · #969ca9 · #1d2331 · #01030e · #d7bb80
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d6e1bd · #d7bb80 · #94b47e · #4c4cbd · #3d375e · #170624
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#d7bb80 · #9ba2b2 · #497893 · #483a6b · #001e2f · #020007
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#d7bb80 · #91a7aa · #3d7d84 · #5a335c · #2b0d2d · #000304
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#d7bb80 · #93a8a1 · #447e6f · #2e4270 · #33091d · #000009
#DDC591 · #E3CEA2 · #EAD8B2 · #F0E1C3 · #F6EBD3
#B19863 · #8D7748 · #6A572D · #493913 · #2B1D00
#D2BC8E · #CDBD9C · #C7BEA9
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.