#EDEDC7Honey Do (#EDEDC7) is a near-white, muted yellow with an OKLCH hue of 107°, lightness 0.94 and chroma 0.05. It sits on the warm side of the color wheel. In practice it behaves as a background color — quiet over large surfaces.
| HEX | #EDEDC7 |
|---|---|
| RGB | rgb(237, 237, 199) |
| HSL | hsl(60, 51%, 85%) |
| HSV | hsv(60, 16%, 93%) |
| CMYK | cmyk(0%, 0%, 16%, 7%) |
| CIE Lab | lab(92.9 -6.2 18.5) |
| OKLCH | oklch(0.936 0.050 107) |
Under warm 2700K interior light Honey Do shifts subtly: leans toward orange; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 2.1), so it is a lighting-stable choice.
#f6e7b9 — ΔE 2.1, shifts subtly: leans toward orange#f5eec2 — ΔE 1.3, shifts subtly: leans toward orange#ededc7 — ΔE 0.0, is virtually unchanged#edeeca — ΔE 0.4, is virtually unchangedTest Honey Do in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.2:1 and against black 17.54:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ededc7 · #cccca9 · #a5a485 · #7f7f63 · #5b5b43 · #3a3925
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ededc7 · #e8d5a0 · #ddbd92 · #d0a787 · #bf917f · #ac7e78
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#ededc7 · #96b1a1 · #8f8e61 · #447b5e · #55542b · #233e2f
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#ededc7 · #c7c7b7 · #a6a688 · #645f8f · #46462e · #29291a
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#ededc7 · #ccccd3 · #909086 · #56555b · #24241a · #010102
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#ededc7 · #a0a08d · #474630 · #2a2912 · #090800 · #cfca4e
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#ededc7 · #cbcbdb · #8c8ab2 · #544f7e · #221d40 · #020200
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#ededc7 · #cbcbdb · #7891b4 · #674872 · #0d2341 · #030004
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#ededc7 · #bed0d8 · #6797ac · #74445e · #381529 · #000409
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#ededc7 · #bdd1d2 · #629b9c · #544f7e · #3c1418 · #010007
#EEEFCD · #F0F0D3 · #F1F2D9 · #F3F3DF · #F4F4E5
#C1C19F · #979779 · #6F6F55 · #494933 · #272614
#ECECCF · #ECECD6 · #EBEBDD
Its high lightness and low chroma make it a natural background or large-surface color. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.