#F1DCA1Hazy Moon (#F1DCA1) is a very light, soft yellow with an OKLCH hue of 91°, lightness 0.9 and chroma 0.079. It sits on the warm side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #F1DCA1 |
|---|---|
| RGB | rgb(241, 220, 161) |
| HSL | hsl(44, 74%, 79%) |
| HSV | hsv(44, 33%, 95%) |
| CMYK | cmyk(0%, 9%, 33%, 5%) |
| CIE Lab | lab(88.2 -1.2 31.7) |
| OKLCH | oklch(0.898 0.079 91) |
Under warm 2700K interior light Hazy Moon shifts subtly: leans toward orange; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.8), so it is a lighting-stable choice.
#f8d695 — ΔE 1.8, shifts subtly: leans toward orange#f8dd9d — ΔE 1.1, shifts subtly: leans toward orange#f1dca1 — ΔE 0.0, is virtually unchanged#f1dda4 — ΔE 0.4, is virtually unchangedTest Hazy Moon in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.36:1 and against black 15.49:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#fff1ca · #f1dca1 · #b3a16e · #8b7b4f · #665830 · #433713
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#f1dca1 · #e7c393 · #daac89 · #ca9682 · #b6827c · #a17077
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#f1dca1 · #afc4ad · #ad9d6d · #638c60 · #706137 · #394d38
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#f1dca1 · #bfbaa9 · #a29779 · #495787 · #423921 · #241e0f
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f1dca1 · #bdc0c8 · #8a867c · #4f5156 · #242116 · #010102
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#eef2fb · #c5c9d3 · #989ca8 · #1e2331 · #02030e · #f1dca1
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#f1dca1 · #b7d4b7 · #b5887a · #336c9b · #283656 · #041013
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#f1dca1 · #bac0d0 · #638ca9 · #584676 · #00243a · #020006
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#f1dca1 · #b0c5c9 · #56919c · #694065 · #321330 · #000305
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#f1dca1 · #b1c6c1 · #599388 · #414e7c · #39101f · #000008
#F3E0AD · #F4E4B8 · #F6E9C3 · #F7EDCF · #F9F1DA
#C6B37E · #9C8B5D · #74663D · #4F431F · #2D2203
#EDDCAF · #E9DDBC · #E4DDC8
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.