#987652Guinea Pig (#987652) is a mid-tone, muted orange with an OKLCH hue of 68°, lightness 0.59 and chroma 0.066. It sits on the warm side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #987652 |
|---|---|
| RGB | rgb(152, 118, 82) |
| HSL | hsl(31, 30%, 46%) |
| HSV | hsv(31, 46%, 60%) |
| CMYK | cmyk(0%, 22%, 46%, 40%) |
| CIE Lab | lab(52.1 8.5 24.9) |
| OKLCH | oklch(0.590 0.066 68) |
Under warm 2700K interior light Guinea Pig shifts subtly: leans toward red; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.2), so it is a lighting-stable choice.
#9b724b — ΔE 1.2, shifts subtly: leans toward red#9c7650 — ΔE 0.7, shifts subtly: leans toward red#987652 — ΔE 0.0, is virtually unchanged#987753 — ΔE 0.3, is virtually unchangedTest Guinea Pig in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 4.16:1 and against black 5.05:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ebcfb2 · #c6a787 · #987652 · #7b5c3b · #553b1d · #321c01
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#aaa379 · #a38c60 · #987652 · #8c6046 · #7a4e42 · #673d3d
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#b4c28c · #989f85 · #987652 · #795a38 · #5a3f1f · #292e16
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#f1e2d3 · #d4bda5 · #a89c90 · #987652 · #396186 · #4d3c2a
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#ecf3f9 · #9f978f · #987652 · #606468 · #2f2720 · #010204
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#feefe1 · #dacab9 · #987652 · #442e15 · #1f0d00 · #f3a548
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d1d5b0 · #5fbcd5 · #987652 · #7d514e · #2a3555 · #061512
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#e8f3ff · #6da2b1 · #987652 · #595f8e · #002f3a · #010007
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#e2f7f4 · #6ca59f · #987652 · #6f5885 · #311f41 · #000202
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#e6f7ec · #79a48a · #987652 · #3f678c · #3c1b34 · #000410
#A98A6A · #B99E82 · #CAB39B · #DBC8B4 · #EDDDCE
#7F6040 · #664C2F · #4F381E · #39250E · #241302
#93785C · #8D7965 · #877B6E
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.