#F6EEE2Fuji Peak (#F6EEE2) is a near-white neutral with an OKLCH hue of 78°, lightness 0.95 and chroma 0.018. In practice it behaves as a background color — quiet over large surfaces.
| HEX | #F6EEE2 |
|---|---|
| RGB | rgb(246, 238, 226) |
| HSL | hsl(36, 53%, 93%) |
| HSV | hsv(36, 8%, 96%) |
| CMYK | cmyk(0%, 3%, 8%, 4%) |
| CIE Lab | lab(94.4 0.7 6.8) |
| OKLCH | oklch(0.952 0.018 78) |
Under warm 2700K interior light Fuji Peak shifts subtly: takes on a orange cast, gains intensity; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 2.2), so it is a lighting-stable choice.
#ffe8d3 — ΔE 2.2, shifts subtly: takes on a orange cast, gains intensity#feefdd — ΔE 1.3, shifts subtly: takes on a orange cast#f6eee2 — ΔE 0.0, is virtually unchanged#f6efe5 — ΔE 0.4, is virtually unchangedTest Fuji Peak in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.15:1 and against black 18.25:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#f6eee2 · #cfc8bd · #a8a197 · #817c73 · #5d5851 · #3b3731
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#f6eee2 · #ffd2ab · #efbba3 · #dba69c · #c69396 · #ae818f
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#f6eee2 · #a7b49b · #a58b63 · #637b4c · #68522e · #344028
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#f6eee2 · #d3cabb · #b7a68c · #6380ac · #534631 · #332a1d
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f6eee2 · #cdd2d9 · #989289 · #55595d · #29231a · #000102
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f6eee2 · #ccc9c4 · #a09d97 · #29241d · #080501 · #f5b74d
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#f6eee2 · #c9d2e1 · #7c94b8 · #3e5982 · #0f2442 · #100600
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#f6eee2 · #c9d2e1 · #6b9ab0 · #565180 · #002938 · #010007
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#f6eee2 · #c2d6d7 · #659ea0 · #6a4a73 · #311938 · #000202
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#f6eee2 · #c4d7cf · #6e9f8c · #3e5982 · #3a1529 · #000007
#F6EFE5 · #F6F0E7 · #F6F1EA · #F7F2EC · #F7F4EF
#C9C1B7 · #9D978D · #746E66 · #4D4841 · #292520
Its high lightness and low chroma make it a natural background or large-surface color. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.