#BBD75AFrog Prince (#BBD75A) is a very light, saturated yellow-green with an OKLCH hue of 120°, lightness 0.83 and chroma 0.154. It sits on the transitional side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #BBD75A |
|---|---|
| RGB | rgb(187, 215, 90) |
| HSL | hsl(73, 61%, 60%) |
| HSV | hsv(73, 58%, 84%) |
| CMYK | cmyk(13%, 0%, 58%, 16%) |
| CIE Lab | lab(81.8 -27.1 57.3) |
| OKLCH | oklch(0.834 0.154 120) |
Under warm 2700K interior light Frog Prince shifts subtly: leans toward yellow; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.7), so it is a lighting-stable choice.
#c4d14f — ΔE 1.7, shifts subtly: leans toward yellow#c2d856 — ΔE 1.0, shifts subtly: leans toward yellow#bbd75a — ΔE 0.0, is virtually unchanged#bbd85c — ΔE 0.3, is virtually unchangedTest Frog Prince in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.62:1 and against black 12.98:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#e6ff9c · #bbd75a · #96af3a · #728816 · #516200 · #323e00
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#b7ef9f · #bbd75a · #c4b937 · #c69d22 · #c08222 · #b3692d
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#bbd75a · #74b9a4 · #80952d · #008066 · #495900 · #004133
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#e8f2cf · #bbd75a · #9eae71 · #8259bd · #404c17 · #262e0c
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#bbd75a · #aea9b8 · #757b67 · #494650 · #1b200b · #010004
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f3f0fb · #cac6d4 · #9e99a8 · #251f30 · #05010d · #bbd75a
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#c0f1f1 · #bbd75a · #f236d5 · #5d855a · #373860 · #1d0508
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#bcecf3 · #bbd75a · #c0a8c9 · #3962be · #3c3a58 · #041207
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#bbd75a · #92b0c7 · #1b80b9 · #830c44 · #3d001b · #000510
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#bbd75a · #8bb4bc · #008799 · #572b8c · #400000 · #03000d
#C4DD73 · #CCE389 · #D5E99F · #DEEFB3 · #E7F4C7
#98B03D · #768B1F · #566700 · #384500 · #1D2500
#BED478 · #C0D290 · #C3CEA6
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.