#FFFAF0Floral White (#FFFAF0) is a near-white neutral with an OKLCH hue of 85°, lightness 0.99 and chroma 0.014. In practice it behaves as a background color — quiet over large surfaces.
| HEX | #FFFAF0 |
|---|---|
| RGB | rgb(255, 250, 240) |
| HSL | hsl(40, 100%, 97%) |
| HSV | hsv(40, 6%, 100%) |
| CMYK | cmyk(0%, 2%, 6%, 0%) |
| CIE Lab | lab(98.4 0 5.4) |
| OKLCH | oklch(0.986 0.014 85) |
Under warm 2700K interior light Floral White shifts subtly: takes on a yellow cast, reads darker; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 2.1), so it is a lighting-stable choice.
#fff4e0 — ΔE 2.1, shifts subtly: takes on a yellow cast, reads darker#fffbeb — ΔE 0.8, is virtually unchanged#fffaf0 — ΔE 0.0, is virtually unchanged#fffbf3 — ΔE 0.4, is virtually unchangedAgainst white it measures 1.04:1 and against black 20.18:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#fffaf0 · #cdc9c0 · #a6a29a · #807c75 · #5c5953 · #3a3833
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#fffaf0 · #ffe1c1 · #f8c7aa · #e6b2a3 · #d19e9c · #ba8b95
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#fffaf0 · #afbfa8 · #ad976d · #67875a · #6f5d36 · #3a4933
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#fffaf0 · #ddd5c6 · #bfb196 · #9c9077 · #415580 · #3b3325
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#fffaf0 · #d9dde4 · #9f9a90 · #5b5d62 · #2a261c · #010103
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#fffaf0 · #cccac6 · #a19e99 · #2b2822 · #090703 · #edbc4d
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#fffaf0 · #d5ddec · #889bc0 · #485c88 · #162545 · #0e0600
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#fffaf0 · #d5ddec · #76a1bb · #605483 · #002a3e · #010006
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#fffaf0 · #cde1e4 · #6da6ac · #724e75 · #351a37 · #000304
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#fffaf0 · #cee2dc · #73a798 · #485c88 · #3d1728 · #000008
#FEF9F0 · #FCF8F1 · #FBF7F1 · #F9F7F1 · #F8F6F2
#D0CBC2 · #A29E96 · #77736D · #4E4B46 · #292722
Its high lightness and low chroma make it a natural background or large-surface color. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.