#F7BC5CFizzy Peach (#F7BC5C) is a very light, saturated orange with an OKLCH hue of 77°, lightness 0.83 and chroma 0.131. It sits on the warm side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #F7BC5C |
|---|---|
| RGB | rgb(247, 188, 92) |
| HSL | hsl(37, 91%, 66%) |
| HSV | hsv(37, 63%, 97%) |
| CMYK | cmyk(0%, 24%, 63%, 3%) |
| CIE Lab | lab(79.9 11.4 55.7) |
| OKLCH | oklch(0.831 0.131 77) |
Under warm 2700K interior light Fizzy Peach shifts subtly: leans toward red; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.5), so it is a lighting-stable choice.
#fcb652 — ΔE 1.5, shifts subtly: leans toward red#fdbc58 — ΔE 1.0, shifts subtly: leans toward red#f7bc5c — ΔE 0.0, is virtually unchanged#f7bd5e — ΔE 0.3, is virtually unchangedTest Fizzy Peach in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.71:1 and against black 12.3:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffefd9 · #f7bc5c · #cc973e · #a2731c · #775100 · #4c3200
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#f2da8b · #f7bc5c · #eda15d · #de8962 · #ca7468 · #b2636c
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#f7bc5c · #9bb185 · #af802f · #537a16 · #6b4800 · #2a3d10
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#fbe9cf · #f7bc5c · #bea071 · #4b82cf · #594017 · #36260c
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f7bc5c · #a4acb7 · #807667 · #434850 · #251b0b · #000104
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#ebf2fd · #c1cad5 · #939daa · #182332 · #00030f · #f7bc5c
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#dde7c2 · #f7bc5c · #a1c087 · #7b30f1 · #2f3a65 · #18041a
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#c0f0f5 · #f7bc5c · #93b9c8 · #7c84cd · #2f3b5b · #1d0803
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#f7bc5c · #8fb3b4 · #00898c · #632b75 · #31003e · #000202
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#f7bc5c · #94b4a6 · #248b6b · #0d458d · #3b0026 · #00031d
#F9C574 · #FCCF8A · #FED89F · #FFE1B5 · #FFEACC
#CD9840 · #A47622 · #7D5500 · #543800 · #2F1D00
#EDBF78 · #E3C290 · #D9C4A6
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.