#B1DBAAFizz (#B1DBAA) is a very light, soft green with an OKLCH hue of 141°, lightness 0.85 and chroma 0.08. It sits on the transitional side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #B1DBAA |
|---|---|
| RGB | rgb(177, 219, 170) |
| HSL | hsl(111, 40%, 76%) |
| HSV | hsv(111, 22%, 86%) |
| CMYK | cmyk(19%, 0%, 22%, 14%) |
| CIE Lab | lab(83.4 -22.9 19.7) |
| OKLCH | oklch(0.849 0.080 141) |
Under warm 2700K interior light Fizz shifts subtly: drifts toward yellow-green; in north-facing or shaded light it shifts subtly: leans toward blue-green. Overall drift across common illuminants is small (max ΔE ≈ 1.9), so it is a lighting-stable choice.
#bcd69e — ΔE 1.9, shifts subtly: drifts toward yellow-green#b9dca6 — ΔE 1.1, shifts subtly: leans toward yellow#b1dbaa — ΔE 0.0, is virtually unchanged#b1dcad — ΔE 0.4, shifts subtly: leans toward blue-greenTest Fizz in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.55:1 and against black 13.58:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#d8ffd1 · #b1dbaa · #89ae83 · #668761 · #456241 · #273f23
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#c0eed1 · #b1dbaa · #afc38e · #aaab77 · #a39465 · #987e58
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#b1dbaa · #91b6b4 · #789a72 · #2a807e · #415e3c · #1a4140
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#e9f6e7 · #b1dbaa · #a780ae · #5b6f57 · #3e503b · #263124
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#b1dbaa · #b4aeb5 · #767e75 · #4c494d · #192018 · #010102
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f6eff7 · #cec6cf · #a198a3 · #291e2b · #070108 · #b1dbaa
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#e7edc7 · #b1dbaa · #a8bc86 · #b9738f · #483a5b · #220703
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#b1dbaa · #b8acba · #7b759f · #6a374f · #1f163b · #040001
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#b1dbaa · #a8b1c0 · #667ca2 · #6f3737 · #380d0f · #000008
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#b1dbaa · #a2b4bd · #52839b · #5e3b64 · #351300 · #030004
#BBE0B5 · #C5E5C0 · #CFEACA · #D9EFD5 · #E3F4E0
#8EB388 · #6C8D67 · #4D6948 · #2F472B · #132710
#B7D8B2 · #BDD5B9 · #C3D2C1
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.