#625665Fedora (#625665) is a grey neutral with an OKLCH hue of 319°, lightness 0.47 and chroma 0.028. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #625665 |
|---|---|
| RGB | rgb(98, 86, 101) |
| HSL | hsl(288, 8%, 37%) |
| HSV | hsv(288, 15%, 40%) |
| CMYK | cmyk(3%, 15%, 0%, 60%) |
| CIE Lab | lab(38.2 8 -6.8) |
| OKLCH | oklch(0.470 0.028 319) |
Under warm 2700K interior light Fedora shifts subtly: takes on a magenta cast; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.2), so it is a lighting-stable choice.
#65545e — ΔE 1.2, shifts subtly: takes on a magenta cast#655663 — ΔE 0.6, shifts subtly: takes on a magenta cast#625665 — ΔE 0.0, is virtually unchanged#625666 — ΔE 0.2, is virtually unchangedTest Fedora in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 6.91:1 and against black 3.04:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#b4aab7 · #8f8491 · #625665 · #483d4b · #281f2a · #0b050d
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#7b789f · #74628c · #625665 · #623b59 · #542c3e · #431e26
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#cdaaad · #be8289 · #8c6f72 · #625665 · #4e3455 · #331c39
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#abd1a2 · #a694aa · #807683 · #625665 · #47364b · #271e2a
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#eef4ed · #b5aeb7 · #727671 · #625665 · #473f49 · #010201
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f5f0f6 · #ccc6ce · #625665 · #271f29 · #060207 · #95d983
The same quiet ground carrying one bright gold voice — the high-energy pairing a cool or muted anchor cannot reach through its own temperature.
#f5f0f6 · #ccc6ce · #625665 · #271f29 · #060207 · #e1c24d
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#eaf6e7 · #9ebb97 · #5d7f55 · #625665 · #304b29 · #030004
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#eaf6e7 · #b3b589 · #43836d · #625665 · #454519 · #000402
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#faf0e1 · #c6ad86 · #358285 · #625665 · #024c4f · #100600
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#ffeee5 · #d1a790 · #5d7f55 · #625665 · #15485e · #000200
#796E7C · #918794 · #AAA1AC · #C3BCC5 · #DDD7DE
#524754 · #423844 · #332A35 · #241D26 · #171118
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.