#DA321CFatal Fury (#DA321C) is a mid-tone, vivid red with an OKLCH hue of 31°, lightness 0.58 and chroma 0.207. It sits on the warm side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #DA321C |
|---|---|
| RGB | rgb(218, 50, 28) |
| HSL | hsl(7, 77%, 48%) |
| HSV | hsv(7, 87%, 85%) |
| CMYK | cmyk(0%, 77%, 87%, 15%) |
| CIE Lab | lab(48.6 63 52.1) |
| OKLCH | oklch(0.581 0.207 31) |
Under warm 2700K interior light Fatal Fury is virtually unchanged; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 0.8), so it is a lighting-stable choice.
#da2c16 — ΔE 0.7, is virtually unchanged#de3019 — ΔE 0.8, is virtually unchanged#da321c — ΔE 0.0, is virtually unchanged#db331d — ΔE 0.3, is virtually unchangedTest Fatal Fury in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 4.71:1 and against black 4.45:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffc0b3 · #ff7e68 · #da321c · #b31400 · #790800 · #430000
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#e38400 · #df6100 · #da321c · #be1e44 · #9e1256 · #7d0e5e
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#e9ac00 · #b89348 · #da321c · #ab210f · #800a00 · #372600
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#00dcf8 · #bf8e84 · #da321c · #903e31 · #692318 · #3e110a
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#ddf8fd · #ae8d86 · #da321c · #526468 · #3d1e18 · #000305
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e7f5f8 · #bdcdd1 · #8fa2a6 · #102a2f · #00080b · #da321c
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d9f9ff · #00a8be · #da321c · #006d7c · #002e35 · #080000
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#d9f9ff · #00ad9a · #da321c · #00679b · #003029 · #000510
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#d5fedd · #2bb15d · #da321c · #3b4cd3 · #14037c · #000200
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#ebf9cb · #88a300 · #da321c · #006d7c · #360063 · #000305
#E75843 · #F47763 · #FF9481 · #FFB6A8 · #FFD4CC
#B91E08 · #970E00 · #740700 · #530200 · #350000
#C94C39 · #B65D4E · #A26A5F
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.