#FF5EC4Eosin Pink (#FF5EC4) is a light, vivid magenta with an OKLCH hue of 345°, lightness 0.72 and chroma 0.221. It sits on the transitional side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #FF5EC4 |
|---|---|
| RGB | rgb(255, 94, 196) |
| HSL | hsl(322, 100%, 68%) |
| HSV | hsv(322, 63%, 100%) |
| CMYK | cmyk(0%, 63%, 23%, 0%) |
| CIE Lab | lab(64.4 70.8 -21.4) |
| OKLCH | oklch(0.722 0.221 345) |
Under warm 2700K interior light Eosin Pink shifts subtly: drifts toward pink; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.7), so it is a lighting-stable choice.
#ff5ab8 — ΔE 1.7, shifts subtly: drifts toward pink#ff5ec0 — ΔE 0.6, is virtually unchanged#ff5ec4 — ΔE 0.0, is virtually unchanged#ff5ec7 — ΔE 0.4, is virtually unchangedTest Eosin Pink in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 2.75:1 and against black 7.65:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffecf6 · #ffabda · #ff5ec4 · #ca3898 · #9b0f70 · #660049
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#ffb4b7 · #ff91b3 · #ff5ec4 · #d35acf · #a756cf · #7c52c5
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#ff5ec4 · #bf6d55 · #ae2a81 · #8a2500 · #5f0043 · #370700
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#ffe3f1 · #e8b7d2 · #ff5ec4 · #009b70 · #8f4772 · #62334f
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#e0f9ed · #ff5ec4 · #9e7f90 · #47574f · #331627 · #000301
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e9f5ef · #bfcec6 · #91a29a · #142a21 · #000803 · #ff5ec4
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d4d6b0 · #ff5ec4 · #b777bd · #238585 · #2b3a29 · #140520
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#f4f5cf · #95eded · #ff5ec4 · #4b683b · #2d372b · #160522
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#f8f5c2 · #ff5ec4 · #968d00 · #005c76 · #002633 · #050300
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#ffefda · #ff5ec4 · #b87c00 · #006346 · #00204a · #000301
#FF7ECC · #FF98D4 · #FFB0DC · #FFC7E5 · #FFDCEE
#D645A3 · #AF2B82 · #890F63 · #610045 · #390027
#EF73BE · #DD83B7 · #CA91B1
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.