#F3C090Dusty Boots (#F3C090) is a very light, soft orange with an OKLCH hue of 65°, lightness 0.84 and chroma 0.086. It sits on the warm side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #F3C090 |
|---|---|
| RGB | rgb(243, 192, 144) |
| HSL | hsl(29, 80%, 76%) |
| HSV | hsv(29, 41%, 95%) |
| CMYK | cmyk(0%, 21%, 41%, 5%) |
| CIE Lab | lab(81.2 12.1 31.2) |
| OKLCH | oklch(0.842 0.086 65) |
Under warm 2700K interior light Dusty Boots shifts subtly: leans toward red; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.7), so it is a lighting-stable choice.
#f8ba85 — ΔE 1.7, shifts subtly: leans toward red#f9c08c — ΔE 1.0, is virtually unchanged#f3c090 — ΔE 0.0, is virtually unchanged#f3c192 — ΔE 0.3, is virtually unchangedTest Dusty Boots in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.65:1 and against black 12.75:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffefe0 · #f3c090 · #c5986d · #9b734d · #73512f · #4e3011
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#f6dbad · #f3c090 · #e4a98b · #d19487 · #bb8183 · #a3707f
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#f3c090 · #a9af91 · #ac845d · #6c7638 · #6d4b28 · #373c1e
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#fcecde · #f3c090 · #6da2ce · #7a614a · #59442f · #36291c
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f3c090 · #a9b0b6 · #827870 · #454a4e · #251c13 · #000204
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#eaf3fb · #c1cbd4 · #94a0aa · #1b2935 · #000712 · #f3c090
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#e9eec8 · #f3c090 · #b8b48b · #1f7793 · #303e5c · #051212
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#f3c090 · #a2b1be · #458593 · #3c4577 · #00222a · #01000a
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#f3c090 · #9db4b0 · #46877f · #543c6f · #261239 · #000201
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#f3c090 · #a3b4a7 · #598668 · #174d74 · #310d2b · #000614
#F6C89E · #F8D1AD · #FBD9BB · #FDE2C9 · #FFEAD7
#C99C70 · #A07952 · #7A5736 · #55381A · #331B02
#EBC39D · #E3C5AA · #DAC8B7
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.