#FF9922Dragon Ball (#FF9922) is a light, saturated orange with an OKLCH hue of 63°, lightness 0.77 and chroma 0.168. It sits on the warm side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #FF9922 |
|---|---|
| RGB | rgb(255, 153, 34) |
| HSL | hsl(32, 100%, 57%) |
| HSV | hsv(32, 87%, 100%) |
| CMYK | cmyk(0%, 40%, 87%, 0%) |
| CIE Lab | lab(72.3 30.6 71.2) |
| OKLCH | oklch(0.773 0.168 63) |
Under warm 2700K interior light Dragon Ball shifts subtly: leans toward red; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.3), so it is a lighting-stable choice.
#ff9314 — ΔE 1.3, shifts subtly: leans toward red#ff991b — ΔE 0.3, is virtually unchanged#ff9922 — ΔE 0.0, is virtually unchanged#ff9a24 — ΔE 0.2, is virtually unchangedTest Dragon Ball in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 2.14:1 and against black 9.83:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffeee1 · #ffb878 · #ff9922 · #b46700 · #824900 · #542d00
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#f7da6f · #fdbb44 · #ff9922 · #ef7f44 · #d96a58 · #bf5965
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#ff9922 · #959c5f · #ae6300 · #5b6200 · #603400 · #272a00
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#f1d2b7 · #ff9922 · #009beb · #996534 · #74481b · #4b2f13
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#e6f4ff · #ff9922 · #a99584 · #545e66 · #342110 · #000206
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e9f3fc · #c1cdd6 · #95a2ad · #1c2d3a · #000b18 · #ff9922
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d2d9b4 · #ff9922 · #c29196 · #207c8e · #2e3959 · #04110f
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#b7dcc6 · #ff9922 · #598b9b · #6059bf · #2b3857 · #131006
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#cdfef5 · #ff9922 · #00b19f · #703ca9 · #35005d · #000201
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#d9fce2 · #ff9922 · #4db16f · #006297 · #45003f · #000511
#FFAA57 · #FFB97A · #FFC898 · #FFD7B4 · #FFE5CF
#D47B00 · #A86000 · #7D4600 · #562E00 · #311700
#F1A154 · #E2A773 · #D2AD8D
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.