#C9A0FFDiva (#C9A0FF) is a light, saturated purple with an OKLCH hue of 303°, lightness 0.78 and chroma 0.138. It sits on the transitional side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #C9A0FF |
|---|---|
| RGB | rgb(201, 160, 255) |
| HSL | hsl(266, 100%, 81%) |
| HSV | hsv(266, 37%, 100%) |
| CMYK | cmyk(21%, 37%, 0%, 0%) |
| CIE Lab | lab(72.7 33.4 -41.6) |
| OKLCH | oklch(0.778 0.138 303) |
Under warm 2700K interior light Diva shifts subtly: leans toward magenta; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 2.3), so it is a lighting-stable choice.
#cf9df0 — ΔE 2.3, shifts subtly: leans toward magenta#cfa1fa — ΔE 1.2, shifts subtly: leans toward magenta#c9a0ff — ΔE 0.0, is virtually unchanged#c9a1ff — ΔE 0.2, is virtually unchangedTest Diva in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 2.11:1 and against black 9.96:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#f5eeff · #c9a0ff · #b38ce6 · #8c69b8 · #66478d · #432763
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#d1dcff · #c6c2ff · #c9a0ff · #c789d7 · #be75ae · #b06387
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#c9a0ff · #bb869a · #8867b2 · #953461 · #4e3071 · #44152a
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#dfd4f1 · #c9a0ff · #85a236 · #7d6999 · #5d4b74 · #3d314c
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#eff4e6 · #c9a0ff · #9e97a9 · #5b5f56 · #2a2234 · #010100
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f0f4e8 · #c6cbbe · #999f90 · #202614 · #030500 · #c9a0ff
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#ecf7d9 · #c9a0ff · #8ea656 · #516700 · #202b00 · #050011
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#d3d5b0 · #c9a0ff · #a99f7d · #57926d · #373e32 · #050d26
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#ffefe0 · #c9a0ff · #cb8b4d · #006d62 · #002e29 · #180700
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#ffede9 · #c9a0ff · #d6806e · #516700 · #002c34 · #010300
#D0AEFF · #D8BCFF · #DFCAFF · #E7D8FF · #EFE5FF
#A681D5 · #8362AD · #634687 · #442A62 · #28103F
#C5A6F0 · #C1ABE1 · #BDB0D2
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.