#696969Also known as Dim Grey.
Dim Gray (#696969) is a grey neutral with an OKLCH hue of 90°, lightness 0.52 and chroma 0. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #696969 |
|---|---|
| RGB | rgb(105, 105, 105) |
| HSL | hsl(0, 0%, 41%) |
| HSV | hsv(0, 0%, 41%) |
| CMYK | cmyk(0%, 0%, 0%, 59%) |
| CIE Lab | lab(44.4 0 0) |
| OKLCH | oklch(0.521 0.000 90) |
Under warm 2700K interior light Dim Gray shifts only faintly, with no single dominant change; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.2), so it is a lighting-stable choice.
#6d6662 — ΔE 1.2, shifts only faintly, with no single dominant change#6d6967 — ΔE 0.7, is virtually unchanged#696969 — ΔE 0.0, is virtually unchanged#696a6b — ΔE 0.4, is virtually unchangedAgainst white it measures 5.49:1 and against black 3.83:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#bebebe · #979797 · #696969 · #4f4f4f · #2f2f2f · #121212
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#86926b · #807d4e · #696969 · #6f5229 · #623f23 · #512d1f
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#8ab186 · #7a8c78 · #696969 · #5b4c21 · #3f3107 · #0f200d
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#d5cebb · #b5aa8e · #8f897a · #696969 · #3b4873 · #352d17
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#eff2f9 · #878379 · #696969 · #4e5055 · #242017 · #010102
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f2f2f2 · #c9c9c9 · #696969 · #222222 · #030303 · #e7c04d
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#edf2ff · #7582a8 · #696969 · #404e79 · #151e3f · #0b0500
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#edf2ff · #6289a4 · #696969 · #564673 · #002339 · #020006
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#e1f6fa · #568e97 · #696969 · #674064 · #31142f · #000305
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#e3f7f2 · #5a9085 · #696969 · #404e79 · #38111f · #000008
#828282 · #9b9b9b · #b4b4b4 · #cdcdcd · #e6e6e6
#585858 · #464646 · #353535 · #232323 · #121212
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors.