#6F7755Dill (#6F7755) is a mid-tone, muted yellow-green with an OKLCH hue of 119°, lightness 0.55 and chroma 0.051. It sits on the transitional side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #6F7755 |
|---|---|
| RGB | rgb(111, 119, 85) |
| HSL | hsl(74, 17%, 40%) |
| HSV | hsv(74, 29%, 47%) |
| CMYK | cmyk(7%, 0%, 29%, 53%) |
| CIE Lab | lab(48.5 -9.3 17.8) |
| OKLCH | oklch(0.553 0.051 119) |
Under warm 2700K interior light Dill shifts subtly: drifts toward yellow; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.2), so it is a lighting-stable choice.
#74744e — ΔE 1.2, shifts subtly: drifts toward yellow#737753 — ΔE 0.6, shifts subtly: leans toward orange#6f7755 — ΔE 0.0, is virtually unchanged#6f7856 — ΔE 0.3, is virtually unchangedTest Dill in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 4.72:1 and against black 4.45:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#c5ccb1 · #9ea687 · #6f7755 · #555c3d · #353b1f · #171c04
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#7ca184 · #738d65 · #6f7755 · #696332 · #604e24 · #543b1b
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#7dbfa8 · #7a988d · #6f7755 · #525b31 · #384019 · #092920
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#d6dbc8 · #b2b99c · #919586 · #6f7755 · #594a77 · #343923
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f2f0f8 · #8c8e84 · #6f7755 · #59585d · #23261c · #010102
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f0f4e6 · #c7cbbb · #6f7755 · #20250d · #030400 · #bad24f
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#b4e4e3 · #98d593 · #a987a5 · #6f7755 · #54376e · #080e2b
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#f3efff · #7e8cb2 · #6f7755 · #70496e · #182243 · #030003
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#e5f4ff · #6b93ae · #6f7755 · #7b4658 · #3c1524 · #00050f
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#e1f6fa · #6098a1 · #6f7755 · #5f4f7d · #3e1611 · #020006
#848B6D · #99A085 · #AFB59E · #C5CAB7 · #DCE0D1
#5B6244 · #484E33 · #363B24 · #252915 · #151807
#70765C · #707562 · #717468
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.