#D26911Cinnamon (#D26911) is a mid-tone, saturated orange with an OKLCH hue of 52°, lightness 0.63 and chroma 0.158. It sits on the warm side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #D26911 |
|---|---|
| RGB | rgb(210, 105, 17) |
| HSL | hsl(27, 85%, 45%) |
| HSV | hsv(27, 92%, 82%) |
| CMYK | cmyk(0%, 50%, 92%, 18%) |
| CIE Lab | lab(55.9 36.8 60.7) |
| OKLCH | oklch(0.634 0.158 52) |
Under warm 2700K interior light Cinnamon shifts subtly: leans toward pink; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1), so it is a lighting-stable choice.
#d46404 — ΔE 1.0, shifts subtly: leans toward pink#d6690b — ΔE 0.7, is virtually unchanged#d26911 — ΔE 0.0, is virtually unchanged#d36a13 — ΔE 0.3, is virtually unchangedAgainst white it measures 3.64:1 and against black 5.77:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffdac4 · #ffa064 · #d26911 · #ac5200 · #793700 · #491e00
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#d4a849 · #d58a25 · #d26911 · #bf5235 · #a64046 · #8b334e
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#b1ac71 · #d26911 · #a75208 · #5a5300 · #582600 · #221f00
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#00beff · #d26911 · #816351 · #703c19 · #4c2100 · #270b00
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#e4f5fe · #b7a194 · #d26911 · #667278 · #3e291c · #000205
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e8f4fb · #bfcdd4 · #91a1aa · #162b36 · #000912 · #d26911
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d5dbb6 · #3dd2e1 · #d26911 · #99606f · #32425c · #061511
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#bddbbf · #879cd5 · #d26911 · #3c646e · #344158 · #120d03
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#d3fdee · #36bf9d · #d26911 · #7459c2 · #33176a · #000201
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#e1fbdd · #76ba6f · #d26911 · #007aa5 · #4b0755 · #00040a
#DD8041 · #E89662 · #F3AC81 · #FCC29F · #FFDAC4
#AF5400 · #8C4200 · #6A3000 · #4B1F00 · #2D0F00
#C4723C · #B67A56 · #A7816A
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.