Chess Ivory `#FFE9C5`

Chess Ivory (#FFE9C5) is a near-white, muted yellow with an OKLCH hue of 80°, lightness 0.94 and chroma 0.053. It sits on the warm side of the color wheel. In practice it behaves as a background color — quiet over large surfaces.

Color values

HEX	`#FFE9C5`
RGB	`rgb(255, 233, 197)`
HSL	`hsl(37, 100%, 89%)`
HSV	`hsv(37, 23%, 100%)`
CMYK	`cmyk(0%, 9%, 23%, 0%)`
CIE Lab	`lab(93.3 2 20.2)`
OKLCH	`oklch(0.943 0.053 80)`

How Chess Ivory behaves under real light

Under warm 2700K interior light Chess Ivory shifts subtly: drifts toward orange; in north-facing or shaded light it shifts subtly: drifts toward orange. Overall drift across common illuminants is small (max ΔE ≈ 1.9), so it is a lighting-stable choice.

Warm interior (2700K incandescent / warm LED): → #ffe3b7 — ΔE 1.9, shifts subtly: drifts toward orange
Neutral LED (4000K task and retail lighting): → #ffeac0 — ΔE 0.8, shifts subtly: leans toward yellow-green
Daylight (6500K standard daylight (reference)): → #ffe9c5 — ΔE 0.0, is virtually unchanged
Blue-sky shade (cool daylight (~10000K proxy)): → #ffeac8 — ΔE 0.4, shifts subtly: drifts toward orange

Test Chess Ivory in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.

Contrast & accessibility

Against white it measures 1.19:1 and against black 17.71:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.

Colors that go with Chess Ivory

Tonal

One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.

#ffe9c5 · #dac6a5 · #b1a082 · #8a7a60 · #655741 · #413623

Analogous

The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.

#ffe9c5 · #fbcfa7 · #ebb89f · #d8a398 · #c39092 · #ac7e8b

Shifted

The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.

#ffe9c5 · #a3b199 · #a28960 · #5f794a · #65502b · #313d27

Contrast

One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.

#ffe9c5 · #d0c7b8 · #b3a389 · #5e78a4 · #50442f · #30281b

Quiet Support

The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.

#ffe9c5 · #cbcfd6 · #959087 · #54575c · #28231a · #000102

Bright Accent

This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.

#ffe9c5 · #aba18f · #574a35 · #3b2e17 · #180c00 · #f3b94d

Complementary

The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.

#ffe9c5 · #c6cfde · #7b92b6 · #3e5781 · #102342 · #100600

Split-complementary

The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.

#ffe9c5 · #c6cfde · #6a98ae · #574f7e · #002838 · #010007

Triadic

Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.

#ffe9c5 · #bfd3d4 · #639c9f · #6a4971 · #311836 · #000203

Tetradic

Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.

#ffe9c5 · #c1d4cc · #6b9d8b · #3e5781 · #391528 · #000007

Tints, shades & muted variants

Tints

#FEEBCB · #FEEDD2 · #FDEFD8 · #FCF1DE · #FBF2E4

Shades

#D1BD9D · #A49377 · #7A6B53 · #524631 · #2E2412

Muted

#FBEACE · #F7EAD6 · #F3EBDE

Using Chess Ivory

Its high lightness and low chroma make it a natural background or large-surface color. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.