#F4E0BBButter Up (#F4E0BB) is a very light, muted yellow with an OKLCH hue of 83°, lightness 0.91 and chroma 0.053. It sits on the warm side of the color wheel. In practice it behaves as a background color — quiet over large surfaces.
| HEX | #F4E0BB |
|---|---|
| RGB | rgb(244, 224, 187) |
| HSL | hsl(39, 72%, 85%) |
| HSV | hsv(39, 23%, 96%) |
| CMYK | cmyk(0%, 8%, 23%, 4%) |
| CIE Lab | lab(89.9 1.2 20.6) |
| OKLCH | oklch(0.914 0.053 83) |
Under warm 2700K interior light Butter Up shifts subtly: drifts toward orange, gains intensity; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.9), so it is a lighting-stable choice.
#fcdaae — ΔE 1.9, shifts subtly: drifts toward orange, gains intensity#fbe1b7 — ΔE 1.1, shifts subtly: drifts toward orange#f4e0bb — ΔE 0.0, is virtually unchanged#f4e1be — ΔE 0.4, is virtually unchangedTest Butter Up in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.29:1 and against black 16.23:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#f4e0bb · #dac7a4 · #b1a081 · #897b5f · #645740 · #413622
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#f4e0bb · #efc69d · #e0b094 · #ce9b8d · #ba8787 · #a37681
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#f4e0bb · #b8c8b0 · #b69f75 · #718f61 · #78643e · #42513a
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#f4e0bb · #c6beaf · #a99b80 · #526995 · #483c27 · #292114
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f4e0bb · #c2c5cc · #8e8980 · #515358 · #262118 · #010103
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f4e0bb · #aaa08e · #544833 · #382c15 · #150b00 · #f0bb4d
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#f4e0bb · #bad3b4 · #478ace · #8d584b · #24365e · #041114
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#f4e0bb · #bec6d4 · #6591a9 · #554b79 · #002637 · #010006
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#f4e0bb · #b5cacc · #5c959a · #67446b · #301633 · #000203
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#f4e0bb · #b7cac4 · #639686 · #3d527d · #381325 · #000007
#F5E3C3 · #F6E7CB · #F7EAD3 · #F8EEDB · #F9F1E2
#C8B695 · #9E8E71 · #75684E · #4F442E · #2C2311
#F0E1C4 · #EDE1CC · #E9E2D4
Its high lightness and low chroma make it a natural background or large-surface color. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.