#D9CFBEBuff It (#D9CFBE) is a near-white neutral with an OKLCH hue of 81°, lightness 0.86 and chroma 0.026. In practice it behaves as a background color — quiet over large surfaces.
| HEX | #D9CFBE |
|---|---|
| RGB | rgb(217, 207, 190) |
| HSL | hsl(38, 26%, 80%) |
| HSV | hsv(38, 12%, 85%) |
| CMYK | cmyk(0%, 5%, 12%, 15%) |
| CIE Lab | lab(83.5 0.6 9.7) |
| OKLCH | oklch(0.858 0.026 81) |
Under warm 2700K interior light Buff It shifts subtly: takes on a orange cast, gains intensity; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.9), so it is a lighting-stable choice.
#e1cab1 — ΔE 1.9, shifts subtly: takes on a orange cast, gains intensity#e0d0ba — ΔE 1.2, shifts subtly: takes on a orange cast#d9cfbe — ΔE 0.0, is virtually unchanged#d9d0c1 — ΔE 0.4, is virtually unchangedTest Buff It in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.54:1 and against black 13.62:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#faf1e1 · #d9cfbe · #aaa192 · #837c6e · #5f584d · #3d372d
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#eae0b4 · #d9cfbe · #ddb48d · #ce9e85 · #bb8a7f · #a67879
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#d9cfbe · #a7b69e · #a68e65 · #627e4f · #69542f · #34412b
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#d9cfbe · #b5ac9e · #5c75a2 · #584a32 · #3a2e19 · #1c1407
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#d9cfbe · #b0b4ba · #827d74 · #494c50 · #231e15 · #010103
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f5f1eb · #d9cfbe · #a29d94 · #2b251b · #0a0500 · #f2ba4d
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d9cfbe · #acb4c2 · #697ea2 · #344b74 · #0c1d3c · #110700
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#d9cfbe · #acb4c2 · #58849b · #4c4471 · #002232 · #010007
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#d9cfbe · #a4b8b9 · #50898c · #5e3d64 · #2c1330 · #000203
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#d9cfbe · #a6b8b2 · #588979 · #344b74 · #340f22 · #000007
#DED5C6 · #E3DBCE · #E8E2D7 · #EDE8DF · #F2EEE7
#B1A999 · #8C8476 · #676155 · #454036 · #262119
Its high lightness and low chroma make it a natural background or large-surface color. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.