#007290Blue Fjord (#007290) is a mid-tone, soft sky blue with an OKLCH hue of 224°, lightness 0.51 and chroma 0.097. It sits on the cool side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #007290 |
|---|---|
| RGB | rgb(0, 114, 144) |
| HSL | hsl(192, 100%, 28%) |
| HSV | hsv(192, 100%, 56%) |
| CMYK | cmyk(100%, 21%, 0%, 44%) |
| CIE Lab | lab(44.3 -15.9 -24) |
| OKLCH | oklch(0.513 0.097 224) |
Under warm 2700K interior light Blue Fjord shifts subtly: leans toward blue-green, loses intensity; in north-facing or shaded light it shifts subtly: leans toward blue. Overall drift across common illuminants is small (max ΔE ≈ 1.7), so it is a lighting-stable choice.
#237087 — ΔE 1.7, shifts subtly: leans toward blue-green, loses intensity#17738d — ΔE 0.9, shifts subtly: leans toward blue-green#007290 — ΔE 0.0, is virtually unchanged#007292 — ΔE 0.3, shifts subtly: leans toward blueTest Blue Fjord in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 5.51:1 and against black 3.81:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#87c6df · #57a0bb · #007290 · #00566e · #003342 · #00131c
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#4d9996 · #298693 · #007290 · #1c5c83 · #264671 · #29325d
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#b8c0e5 · #929ddf · #7c82a2 · #007290 · #00546b · #003748
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#aad3e3 · #d18b6c · #007290 · #384c54 · #033140 · #00151d
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#faefeb · #75848a · #007290 · #534c49 · #132228 · #040100
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#fcefe9 · #d6c8c2 · #ad9d96 · #3b2820 · #180602 · #007290
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#ffeee6 · #a8725b · #007290 · #783a1c · #3a1000 · #00050a
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#ffeee6 · #aa6e73 · #007290 · #6b4500 · #3e0813 · #130700
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#ffebf6 · #a36e8c · #007290 · #565000 · #242100 · #050002
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#f9edff · #9273a2 · #007290 · #783a1c · #0f2600 · #190300
#3B88A3 · #5F9EB6 · #80B4C9 · #A1CBDC · #C2E2EF
#005E78 · #004C61 · #00394A · #002835 · #001822
#2D7087 · #426E7F · #516C76
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.