#43182FBlackberry (#43182F) is a very dark, soft pink with an OKLCH hue of 350°, lightness 0.28 and chroma 0.073. It sits on the warm side of the color wheel. In practice it behaves as a grounding tone — suited to text, outlines, and shadowed surfaces.
| HEX | #43182F |
|---|---|
| RGB | rgb(67, 24, 47) |
| HSL | hsl(328, 47%, 18%) |
| HSV | hsv(328, 64%, 26%) |
| CMYK | cmyk(0%, 64%, 30%, 74%) |
| CIE Lab | lab(15.8 23.8 -5.1) |
| OKLCH | oklch(0.283 0.073 350) |
Under warm 2700K interior light Blackberry shifts subtly: leans toward red; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 0.7), so it is a lighting-stable choice.
#44172b — ΔE 0.7, shifts subtly: leans toward red#44182e — ΔE 0.3, shifts subtly: leans toward red#43182f — ΔE 0.0, is virtually unchanged#431830 — ΔE 0.2, is virtually unchangedTest Blackberry in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 14.89:1 and against black 1.41:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid black text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#b18e9e · #8e687a · #6c4357 · #43182f · #280318 · #070002
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#653b3a · #552934 · #43182f · #2e0d29 · #1a0421 · #080016
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#d1b0a4 · #b78b9f · #a26c58 · #7a5064 · #553d34 · #43182f
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#93d4bc · #755c67 · #504148 · #43182f · #1d0813 · #030001
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#ebf4f1 · #baafb4 · #737976 · #483d42 · #43182f · #0f1614
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#ebf4f0 · #c0ccc7 · #929f9a · #162620 · #000503 · #43182f
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#e8eec9 · #79f26d · #8962aa · #394230 · #43182f · #230708
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#e4f7ef · #9fbc98 · #388488 · #2e4927 · #43182f · #00191b
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#f2f3e2 · #b5b68a · #447f9b · #13475c · #43182f · #161602
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#faf0e1 · #c7af87 · #458570 · #2c4162 · #43182f · #011a12
#61384C · #7F5A6B · #9F7D8C · #BFA2AF · #DFC8D2
#3A1328 · #320F22 · #290B1B · #210715 · #1A040F
#3E1D2E · #39212D · #34242C
As a deep tone it works for grounding elements — text, outlines, and shadowed surfaces — rather than open fields. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.