#54682BBimi Green (#54682B) is a dark, soft yellow-green with an OKLCH hue of 125°, lightness 0.49 and chroma 0.09. It sits on the transitional side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #54682B |
|---|---|
| RGB | rgb(84, 104, 43) |
| HSL | hsl(80, 41%, 29%) |
| HSV | hsv(80, 59%, 41%) |
| CMYK | cmyk(19%, 0%, 59%, 59%) |
| CIE Lab | lab(41.2 -18.1 31.4) |
| OKLCH | oklch(0.486 0.090 125) |
Under warm 2700K interior light Bimi Green shifts subtly: leans toward yellow; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1), so it is a lighting-stable choice.
#596526 — ΔE 1.0, shifts subtly: leans toward yellow#586829 — ΔE 0.6, shifts subtly: leans toward yellow#54682b — ΔE 0.0, is virtually unchanged#54692c — ΔE 0.3, is virtually unchangedTest Bimi Green in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 6.19:1 and against black 3.39:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#a9bb8c · #829561 · #54682b · #3c4e13 · #1f2c00 · #070d00
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#5e8f71 · #567c50 · #54682b · #535211 · #4d3d00 · #422a00
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#98c4b9 · #56ad99 · #60857b · #54682b · #3b4b19 · #233000
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#bec7b1 · #99a685 · #8b71aa · #54682b · #3e4434 · #212910
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f4f0f9 · #b1b6aa · #7a787e · #54682b · #44493c · #010102
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f4f0fa · #cbc6d2 · #9f99a7 · #261f2e · #05010c · #54682b
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#dfd6b1 · #f241be · #5b815d · #54682b · #484371 · #200507
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#b0dbeb · #e096cc · #8a8ca6 · #54682b · #3d486d · #041108
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#e7f4ff · #8db9df · #a66272 · #54682b · #683441 · #000614
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#dff7fd · #7dc0d0 · #856ba4 · #54682b · #69362a · #020007
#6C7F4A · #859668 · #9FAE87 · #BAC6A6 · #D5DFC6
#45571F · #364613 · #283607 · #1B2600 · #0E1700
#566639 · #596544 · #5B634F
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.