#715145Bigfoot (#715145) is a dark, muted red with an OKLCH hue of 41°, lightness 0.47 and chroma 0.047. It sits on the warm side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #715145 |
|---|---|
| RGB | rgb(113, 81, 69) |
| HSL | hsl(16, 24%, 36%) |
| HSV | hsv(16, 39%, 44%) |
| CMYK | cmyk(0%, 28%, 39%, 56%) |
| CIE Lab | lab(37.5 11.7 12.3) |
| OKLCH | oklch(0.466 0.047 41) |
Under warm 2700K interior light Bigfoot is virtually unchanged; in north-facing or shaded light it shifts subtly: leans toward pink. Overall drift across common illuminants is small (max ΔE ≈ 0.9), so it is a lighting-stable choice.
#734e40 — ΔE 0.9, is virtually unchanged#745143 — ΔE 0.6, is virtually unchanged#715145 — ΔE 0.0, is virtually unchanged#715146 — ΔE 0.2, shifts subtly: leans toward pinkTest Bigfoot in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 7.08:1 and against black 2.97:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid black text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#c4a99f · #a08277 · #715145 · #583b30 · #351d13 · #140300
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#917755 · #886143 · #715145 · #6a3936 · #552a32 · #401d2d
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#bcb396 · #a3935d · #7d765d · #715145 · #5b3223 · #3d1a0c
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#85c8df · #af9388 · #85756f · #715145 · #4f352b · #2c1c17
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#ebf4f7 · #b9aea9 · #6e7477 · #715145 · #4a3e3a · #000102
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#fdeee9 · #d8c7c1 · #715145 · #3c261d · #180501 · #ef6f3b
The same quiet ground carrying one bright gold voice — the high-energy pairing a cool or muted anchor cannot reach through its own temperature.
#fdeee9 · #d8c7c1 · #715145 · #3c261d · #180501 · #d8c64e
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#e2f6fd · #86bacc · #3a7d92 · #715145 · #0c4959 · #0c0100
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#e2f6fd · #83bdba · #52769e · #715145 · #024c4a · #00020b
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#e5f7ed · #8fbda4 · #6c6e9e · #715145 · #3c3d62 · #000602
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#ecf5e6 · #a3b991 · #3a7d92 · #715145 · #4c375a · #00050a
#876A5F · #9E847A · #B59E96 · #CDBAB2 · #E5D6D0
#5F4338 · #4E352B · #3D271F · #2D1A13 · #1E0E08
#6C534A · #68554E · #635752
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.