#220011Belladonna (#220011) is a very dark, muted pink with an OKLCH hue of 353°, lightness 0.17 and chroma 0.068. It sits on the warm side of the color wheel. In practice it behaves as a grounding tone — suited to text, outlines, and shadowed surfaces.
| HEX | #220011 |
|---|---|
| RGB | rgb(34, 0, 17) |
| HSL | hsl(330, 100%, 7%) |
| HSV | hsv(330, 100%, 13%) |
| CMYK | cmyk(0%, 100%, 50%, 87%) |
| CIE Lab | lab(3.4 16.3 -2.1) |
| OKLCH | oklch(0.165 0.068 353) |
Under warm 2700K interior light Belladonna shifts subtly: leans toward red; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 0.4), so it is a lighting-stable choice.
#22000f — ΔE 0.4, shifts subtly: leans toward red#230010 — ΔE 0.4, shifts subtly: leans toward red#220011 — ΔE 0.0, is virtually unchanged#220011 — ΔE 0.0, is virtually unchangedTest Belladonna in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 19.51:1 and against black 1.08:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid black text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#b69aa5 · #927380 · #704e5c · #502c3b · #220011 · #0e0004
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#614129 · #542d1f · #461b19 · #350915 · #220011 · #10000c
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#aa8c7f · #926779 · #7c4b35 · #583042 · #351f16 · #220011
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#91d4bf · #8f7c83 · #735964 · #553b46 · #312329 · #220011
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#ebf4f1 · #c1b5b9 · #7e8482 · #594c51 · #1d2522 · #220011
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#ffecf3 · #dbc2cc · #b296a1 · #3c1c2a · #220011 · #e5529c
The same quiet ground carrying one bright gold voice — the high-energy pairing a cool or muted anchor cannot reach through its own temperature.
#ffecf3 · #dbc2cc · #b296a1 · #3c1c2a · #220011 · #dec44d
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d5dcb7 · #d39fd3 · #2aa162 · #3f513b · #340d0d · #220011
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#e3f7f0 · #a3c3a0 · #449096 · #3b5939 · #07282b · #220011
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#f2f4e3 · #b8bd91 · #528aa8 · #28566d · #23250e · #220011
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#f9f1e1 · #ccb68d · #4f917e · #3d5073 · #0c2921 · #220011
#442030 · #674553 · #8C6C79 · #B296A1 · #D8C2CB
#1F0110 · #1D010E · #1A020D · #17020B · #14020A
#1E0310 · #1B0710 · #170A0F
As a deep tone it works for grounding elements — text, outlines, and shadowed surfaces — rather than open fields. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.