#7D623CAutumn Gold (#7D623C) is a mid-tone, muted orange with an OKLCH hue of 75°, lightness 0.51 and chroma 0.064. It sits on the warm side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #7D623C |
|---|---|
| RGB | rgb(125, 98, 60) |
| HSL | hsl(35, 35%, 36%) |
| HSV | hsv(35, 52%, 49%) |
| CMYK | cmyk(0%, 22%, 52%, 51%) |
| CIE Lab | lab(43.4 5.8 25.7) |
| OKLCH | oklch(0.514 0.064 75) |
Under warm 2700K interior light Autumn Gold shifts subtly: leans toward red; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1), so it is a lighting-stable choice.
#805f36 — ΔE 1.0, shifts subtly: leans toward red#80623a — ΔE 0.5, shifts subtly: leans toward red#7d623c — ΔE 0.0, is virtually unchanged#7d633d — ΔE 0.3, is virtually unchangedTest Autumn Gold in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 5.7:1 and against black 3.68:1, so white text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#cfb89a · #aa916f · #7d623c · #614925 · #3e2907 · #1b0d00
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#8e8d64 · #877749 · #7d623c · #734d2d · #633a29 · #512a26
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#bbc8ab · #96ac79 · #7e8971 · #7d623c · #604621 · #432c07
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#d6cab9 · #b9a68d · #908679 · #7d623c · #2b4a71 · #372a16
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#edf2f9 · #878078 · #7d623c · #4b4e53 · #251f16 · #010204
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#fcf0e1 · #d8cab9 · #7d623c · #402e13 · #1c0e00 · #f4b24c
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d0d7b2 · #adc48c · #9972a6 · #7d623c · #3b2983 · #190621
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#e9f3ff · #59899d · #7d623c · #4a4876 · #002431 · #010007
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#e1f7f6 · #548d8d · #7d623c · #5e416a · #2b1534 · #000202
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#e5f7ee · #5f8d79 · #7d623c · #314f77 · #341127 · #000108
#917957 · #A69073 · #BBA88F · #D1C1AC · #E6DACA
#69512E · #554021 · #422F14 · #302007 · #1F1200
#796346 · #746550 · #6F6659
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.