#FB7EFDAtomic Pink (#FB7EFD) is a light, vivid magenta with an OKLCH hue of 327°, lightness 0.78 and chroma 0.213. It sits on the transitional side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #FB7EFD |
|---|---|
| RGB | rgb(251, 126, 253) |
| HSL | hsl(299, 97%, 74%) |
| HSV | hsv(299, 50%, 99%) |
| CMYK | cmyk(1%, 50%, 0%, 1%) |
| CIE Lab | lab(71.2 64.5 -42.5) |
| OKLCH | oklch(0.779 0.213 327) |
Under warm 2700K interior light Atomic Pink shifts subtly: leans toward pink; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 2.2), so it is a lighting-stable choice.
#fe7bee — ΔE 2.2, shifts subtly: leans toward pink#ff7ff9 — ΔE 1.0, shifts subtly: leans toward pink#fb7efd — ΔE 0.0, is virtually unchanged#fc7eff — ΔE 0.3, is virtually unchangedTest Atomic Pink in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 2.21:1 and against black 9.5:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffeafe · #fb7efd · #e26be4 · #b449b6 · #88278b · #5e0061
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#dfd7ff · #e1b6ff · #fb7efd · #f469c5 · #e55890 · #d04c5f
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#fb7efd · #d17c7e · #af4ab1 · #b0002f · #6c0670 · #530010
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#f2ccf1 · #fb7efd · #00b33f · #985a98 · #733d74 · #4b294c
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#e5f8e6 · #fb7efd · #aa92a9 · #556156 · #331d33 · #000200
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#ebf5ec · #c1ccc2 · #93a094 · #172719 · #000500 · #fb7efd
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d7fed9 · #fb7efd · #41b657 · #007225 · #00300a · #050007
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#b1e1dd · #fb7efd · #6fb29f · #7f8a52 · #313d31 · #1f050c
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#fff1d0 · #fb7efd · #c19400 · #006a75 · #002d32 · #0a0400
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#ffeee3 · #fb7efd · #e67a00 · #007225 · #002a40 · #000200
#FE92FF · #FFA7FF · #FFBAFE · #FFCDFE · #FFDEFE
#D161D4 · #A945AC · #832985 · #5E0B61 · #38003A
#EE8DEF · #E09BE0 · #D2A6D1
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.