#EE3311Arcade Fire (#EE3311) is a mid-tone, vivid red with an OKLCH hue of 32°, lightness 0.62 and chroma 0.225. It sits on the warm side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #EE3311 |
|---|---|
| RGB | rgb(238, 51, 17) |
| HSL | hsl(9, 87%, 50%) |
| HSV | hsv(9, 93%, 93%) |
| CMYK | cmyk(0%, 79%, 93%, 7%) |
| CIE Lab | lab(52.5 68.3 60.7) |
| OKLCH | oklch(0.617 0.225 32) |
Under warm 2700K interior light Arcade Fire is virtually unchanged; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 0.7), so it is a lighting-stable choice.
#ee2c07 — ΔE 0.7, is virtually unchanged#f2310c — ΔE 0.7, is virtually unchanged#ee3311 — ΔE 0.0, is virtually unchanged#ef3413 — ΔE 0.3, is virtually unchangedTest Arcade Fire in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 4.1:1 and against black 5.12:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffd1c7 · #ff937e · #ee3311 · #c32000 · #871200 · #510400
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#f18f00 · #ee6b00 · #ee3311 · #d11d48 · #b0125e · #8d1069
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#f6b800 · #c59d49 · #ee3311 · #bd2407 · #8f1300 · #422e00
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#ffe7e2 · #00dcfa · #ee3311 · #88574d · #7c2416 · #4a180f
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#dbf8fe · #bb978f · #ee3311 · #5b6f73 · #43211b · #000204
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e7f5f8 · #bccdd0 · #8da0a4 · #0d282d · #000508 · #ee3311
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d9f8ff · #00b4cd · #ee3311 · #00788a · #00333b · #080000
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#d9f8ff · #00baa6 · #ee3311 · #0071ac · #00352e · #000511
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#d3ffdd · #1abf65 · #ee3311 · #4552ea · #190088 · #000200
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#eafac8 · #8fb000 · #ee3311 · #00788a · #3d006b · #000204
#F95B40 · #FF7D64 · #FF9E8A · #FFBCAD · #FFD7CF
#C82100 · #A11800 · #7B0E00 · #570600 · #370000
#DB5139 · #C76452 · #B17366
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.