#FF7013Arancio (#FF7013) is a light, saturated orange with an OKLCH hue of 46°, lightness 0.71 and chroma 0.195. It sits on the warm side of the color wheel. In practice it behaves as an accent color: strong in focal moments, dominant over large fields.
| HEX | #FF7013 |
|---|---|
| RGB | rgb(255, 112, 19) |
| HSL | hsl(24, 100%, 54%) |
| HSV | hsv(24, 93%, 100%) |
| CMYK | cmyk(0%, 56%, 93%, 0%) |
| CIE Lab | lab(64.1 50.6 69) |
| OKLCH | oklch(0.709 0.195 46) |
Under warm 2700K interior light Arancio shifts subtly: drifts toward red; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.1), so it is a lighting-stable choice.
#ff6a03 — ΔE 1.1, shifts subtly: drifts toward red#ff6f0b — ΔE 0.2, is virtually unchanged#ff7013 — ΔE 0.0, is virtually unchanged#ff7115 — ΔE 0.2, is virtually unchangedTest Arancio in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 2.77:1 and against black 7.58:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#ffeee6 · #ffb694 · #ff7013 · #c95400 · #923b00 · #5f2300
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#fdb940 · #ff971f · #ff7013 · #e85948 · #cc495f · #ac3d6c
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#d1c276 · #ff7013 · #d05b11 · #766500 · #7b3000 · #393000
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#ffe0d3 · #e5b9a5 · #ff7013 · #008db4 · #8d4d2d · #603621
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#e1f6ff · #ff7013 · #9b7f73 · #44535a · #33190c · #00050b
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#e7f4fa · #becdd4 · #92a3aa · #172d36 · #000b13 · #ff7013
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#d8d9b4 · #ff7013 · #b07d92 · #217f85 · #2a3745 · #05140f
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#b0ddd0 · #ff7013 · #5d969a · #40699e · #30334e · #22060b
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#ceffe9 · #ff7013 · #009e73 · #4e2fb4 · #220061 · #000301
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#e1fbd4 · #ff7013 · #589a2e · #005973 · #360047 · #00050b
#FF8B50 · #FFA276 · #FFB796 · #FFCCB4 · #FFDFD1
#D45900 · #A94500 · #7F3200 · #582000 · #340E00
#ED7E47 · #DB8A64 · #C7947C
Its chroma is high enough to carry accents, calls to action, and focal moments; large fields of it will dominate a composition. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.