#F5D547Anna Banana (#F5D547) is a very light, saturated yellow with an OKLCH hue of 96°, lightness 0.88 and chroma 0.157. It sits on the warm side of the color wheel. In practice it behaves as a mid-weight working color for secondary surfaces and editorial blocks.
| HEX | #F5D547 |
|---|---|
| RGB | rgb(245, 213, 71) |
| HSL | hsl(49, 90%, 62%) |
| HSV | hsv(49, 71%, 96%) |
| CMYK | cmyk(0%, 13%, 71%, 4%) |
| CIE Lab | lab(85.7 -3.5 70.6) |
| OKLCH | oklch(0.876 0.157 96) |
Under warm 2700K interior light Anna Banana shifts subtly: leans toward orange; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 1.5), so it is a lighting-stable choice.
#fbcf3b — ΔE 1.5, shifts subtly: leans toward orange#fcd542 — ΔE 1.0, shifts subtly: leans toward orange#f5d547 — ΔE 0.0, is virtually unchanged#f5d649 — ΔE 0.2, is virtually unchangedTest Anna Banana in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.45:1 and against black 14.49:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#fff3bf · #f5d547 · #bda113 · #927b00 · #695800 · #433700
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#f5d547 · #f5b73b · #ee9a40 · #e0804c · #cd6a57 · #b65760
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#f5d547 · #94c49a · #b09617 · #19913e · #6d5b00 · #1a4d25
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#f5d547 · #bcb391 · #a19151 · #484fb3 · #3f3400 · #201900
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f5d547 · #b5b8c8 · #87826d · #4b4d58 · #251f09 · #010104
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#eff1fd · #c5c8d6 · #989bab · #1f2233 · #020310 · #f5d547
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#e7f6d2 · #f5d547 · #a3cc8f · #2d92f4 · #353f6c · #051317
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#cbfcfa · #f5d547 · #ceb6da · #3c64a1 · #3c4365 · #0b1304
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#f5d547 · #98c1cd · #0091aa · #7e1e6e · #3c0033 · #000305
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#f5d547 · #98c4be · #00968b · #3b3ea1 · #420018 · #010011
#F6DB67 · #F8E080 · #F9E697 · #FBEBAC · #FCF1C1
#CAAD24 · #A08700 · #766300 · #4F4100 · #2B2200
#EED671 · #E8D791 · #E1D7AC
Its moderate chroma lets it work in mid-size areas — upholstery, secondary UI surfaces, editorial blocks — without overwhelming neighbors. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.