#F3DFD7Angel Wing (#F3DFD7) is a near-white neutral with an OKLCH hue of 43°, lightness 0.92 and chroma 0.025. In practice it behaves as a background color — quiet over large surfaces.
| HEX | #F3DFD7 |
|---|---|
| RGB | rgb(243, 223, 215) |
| HSL | hsl(17, 54%, 90%) |
| HSV | hsv(17, 12%, 95%) |
| CMYK | cmyk(0%, 8%, 12%, 5%) |
| CIE Lab | lab(90.2 5.5 6.4) |
| OKLCH | oklch(0.918 0.025 43) |
Under warm 2700K interior light Angel Wing shifts subtly: takes on a orange cast, gains intensity; in north-facing or shaded light it is virtually unchanged. Overall drift across common illuminants is small (max ΔE ≈ 2.1), so it is a lighting-stable choice.
#fbd9c9 — ΔE 2.1, shifts subtly: takes on a orange cast, gains intensity#fbe0d2 — ΔE 1.3, shifts subtly: takes on a orange cast#f3dfd7 — ΔE 0.0, is virtually unchanged#f3e0da — ΔE 0.4, is virtually unchangedTest Angel Wing in the color lighting simulator — sweep it through daylight, warm 2700K light, 4000K LED, and shade alongside the rest of your palette.
Against white it measures 1.28:1 and against black 16.35:1, so black text is the stronger pairing. That pairing passes WCAG AA for body text. Avoid white text on this color entirely.
One color explored: close hues with real lightness and chroma structure, so the palette is the anchor through value rather than a set of colors.
#f3dfd7 · #d7c5bd · #af9e97 · #887973 · #635651 · #403531
The anchor's neighbours on the wheel — everything shares an undertone, so the chord carries color without anything having to be muted to get along.
#f3dfd7 · #fcbfb7 · #e5abb2 · #cc99ac · #b289a4 · #977a9a
The mid-gap pairing — sage and mustard, terracotta and olive. A foil rotated 40–65° toward warm or cool: too far to be kin, too near to argue, carried by temperature and a deliberate value offset.
#f3dfd7 · #cbc4a9 · #c79784 · #93854f · #865d4c · #534c32
One deliberately opposed voice — a single restrained counterpoint across the wheel, or temperature against temperature where the anchor is too muted to carry a loud opposite.
#f3dfd7 · #84c6de · #897972 · #71564a · #50392f · #2e1f19
The anchor as the only color in the room. True neutrals or complement-warmed near-neutrals let it stay dominant.
#f3dfd7 · #c0c8cb · #938884 · #4f5557 · #2a1f1b · #000102
This color as a ground rather than a subject — its own restraint held across a narrow value band, carrying one saturated voice from the opposite temperature.
#f3dfd7 · #a69c98 · #4d423d · #312520 · #0e0503 · #f0743b
The same quiet ground carrying one bright gold voice — the high-energy pairing a cool or muted anchor cannot reach through its own temperature.
#f3dfd7 · #a69c98 · #4d423d · #312520 · #0e0503 · #d8c64e
The opposite hue on the perceptual wheel, tempered to field strength — warm/cool tension without vibration.
#f3dfd7 · #b8cad1 · #6193a6 · #155c72 · #002733 · #0c0100
The complement's two neighbours instead of the complement itself — strong contrast with a lower clash risk.
#f3dfd7 · #b8cad1 · #5e9795 · #34557c · #002928 · #000107
Three hues spaced evenly around the wheel; the anchor leads and the other two are held at supporting strength.
#f3dfd7 · #bacbc2 · #699781 · #4e4e7c · #1f1d3f · #000301
Two complementary pairs offset by 90° — the richest chord, kept usable by a strict lightness hierarchy.
#f3dfd7 · #c1cabb · #7d936e · #155c72 · #2d1837 · #000408
#F4E2DB · #F5E6E0 · #F6E9E4 · #F7EDE9 · #F8F0ED
#C7B5AE · #9C8D87 · #746761 · #4E433E · #2B221E
Its high lightness and low chroma make it a natural background or large-surface color. In palettes it pairs most predictably with its tonal ramp and analogous neighbors; reserve the complementary hue for small, deliberate contrast.